Filkiquette

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  1. If there are more than 8-10 guitars, start a new circle.

    Why? Everyone deserves a chance to perform. There are more performers than guitars; but the guitar players will take the majority of the performance time. 5 minutes x 10 guitars = 50 minutes; so unless someone is being a real hog of time you'll only get to perform on an average of once an hour. In my opinion groups of 3-7 performers have the best chance of creating that special rapport that creates a really good filk.

    This doesn't mean that exceptions don't exist (the OVFF First Annual Saturday Night Drum Jam comes to mind....). Just that smaller groups give the best chance of creating a great filk.

  2. Pay at least loose attention to the rules of a Bardic Circle.

    Midwest filking is extremely sold on "chaos" filk; which is basically, "if it feels good, do it." However, this creates opportunities for "filk hogging"- and I'm just as guilty of it as the next guy. Regular Bardic Circle rules can be restrictive; you wait until everyone else has played before you can play again. This can interrupt the ebb and flow of the circle.

    But it's extremely poor form to play, listen to one performer, play again, listen to one performer, play again.... and there are 40 people in the room; 20 with guitars. Try to wait an appropriate time- look at a couple of people in the room you haven't heard in awhile and make yourself wait until they've played before you prepare another piece. This way, you ensure that a reasonable amount of time passes to let the music flow.

    What if you've really got to play and it just looks too full? There's nothing wrong with looking for one or two performers who appear to have been sitting awhile, and QUIETLY inviting them to help start another circle. Be sure to slip out between songs.

  3. Encourage everyone in the room to participate should they desire to.

    On drum, leg, whistle, recorder, guitar, whatever. Music shared is existence declared.

  4. Don't "play" to the tape recorders.

    Two reasons for this. First, playing to the recorders means you lose focus on what the circle is doing, you tend to hog then. Second, you tend to sound forced and false- which isn't why the recorders are there. Most of them are for individuals who want a record to remind them of a warm, happy evening with friends. Generally, they are not going to be released as the next filk magnum opus.

  5. No matter how bad it is, be honestly encouraging.

    We are there to feel good. Help it along. If you can't think of anything positive to say, don't say anything; especially while they're playing! If you have to talk; take it to the back or outside the room.

    If you have to leave, doing it while they're getting ready to play or during the opening bars is ok- unless there's a mass rush for the door. However, once the first verse begins, you will most likely avoid hurting feelings if you stay put. Just keep telling yourself you can put up with anything for 5-7 minutes (unless, of course, they start playing "Horse Tamer's Daughter"....) (slowly....).

Caveat: We're all human. Yep, these are the rules I try to live by within a Circle. Do I always hold to them? No, I don't. I'm not sure that anyone can, 100% of the time. But as rules of thumb, these guidelines have served me very well. I hope that they can help you.

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